Great Story Starts
Is the focus of the novel revealed early? This question is at the top of contract evaluations I do for a publisher. Most of the time, I check No. Writers often move slowly in the beginning. They set up backstory and craft detailed irrelevant scenes. Two chapters later, I still don’t know what the premise is. The best stories jump right in and reveal what the character wants and/or what the character is up against to get what he wants.
Revealing the focus can be indirect. Read more

An editing job I completed recently for a satisfied client (and a layoff ☺) made me rethink my approach. Essentially, I’ve cut my rate in half with the idea that most writers can’t afford an extensive service—they simply want to catch all the typos, misused words, and inconsistencies before they submit anywhere.