10 Writing Resolutions

I’m in an unusual space at the moment—waiting for feedback on my latest novel and trying to leave the manuscript alone in the mean time. But this phase is also an opportunity to write other things, form new habits, and expand my knowledge base. With those goals in mind, I developed 10 writing resolutions, some of which I’m already working toward and others that are new and exciting.

1. Write every day. That means during the week, spend a minimum of three hours on my current big project and on weekends, write blogs, articles, short stories, comedy material, letters to the editor—almost anything to keep the juices flowing.

2. Write bold. Do not be afraid to offend an occasional reader. I can’t make everyone happy. If I did, my stories/blogs/comedy would be boring.

3. Dig deeper into characters’ motivations. Who are these people and why do they act the way they do?

4. Make more trips to the library. I only finish about one in three books I start, so I have to buy books regularly. I’ve been ordering from Powells and buying a mix of new and used. It’s expensive, but I’m supporting other writers, so I don’t feel bad about the money. Yet I need to supplement my purchases with more library books (titles that I’m uncertain about and new books that I can’t afford).

5. Read more literary fiction. Maybe read an occasional poem for inspiration. My writing is straightforward and lean and could benefit from an occasional poetic flair.

6. Conduct research interviews. Meet with law enforcement personnel and others in the community to develop background knowledge for future stories.

7. Listen carefully to first readers.
Be open to criticism and willing to fix problems. This is the point of having first readers and why it’s called a first draft.

8. Do not be in a hurry to submit. Let the manuscript sit untouched for a few weeks. Then revise the story with early readers comments in mind. Then send it out to other readers.

9. Start outlining my next novel. So I’m already writing it when the rejections start coming in. It’s easier to think “This next story will be the one,” if I’m in the process and feeling good about the new story.

10. Write new comedy material. It’s hard work, but great fun at the same time. It’s an important creative change of pace to get away from the serious crime stuff. Then go perform that material.

Quit the D**n Cursing

It has come to my attention lately that I curse too much. First my husband said to me, “Why do you curse so much?” Then a reader mentioned that my series character had become more foul mouthed in the second book. So I had to think about it. And I don’t have a good answer. Like almost everything in life, cursing is a habit. And so, like all the other bad habits in my life, I’m trying do without. Fortunately, it’s not an all or nothing proposition like smoking. I like to think that I can cut back on the cursing—reserve it for special occasions and not slip all the way into my current pattern. I’m not giving it up entirely, and I’m not looking for sainthood.

But what about my characters? Do they curse too much because I do? How much should characters curse? Of course that depends on the character. But now I’m reading back through the story and looking at every curse word and asking, “Is that necessary? Will another word choice be as effective?” I’m not the pandering type, but I also don’t want to alienate readers with unnecessary offensive language.

Of course, if my character discovers a bomb in his briefcase set to go off in 30 seconds, he’s still likely to say “Holy shit,” but maybe not “Oh f**k.” We’ll see. The road to hell is paved with good intentions.

Do your characters curse? Do you ever tone it down with sensitive readers in mind? Should we?

Less TV, More Reading

My husband and I have decided to give up cable TV. This is a small deal for me, because I watch very little—daily pre-recorded Jon Stewart shows and Bill Maher on Fridays. It’s a bigger deal for Steve, but he found an article online about how to get a bunch of TV shows through his computer and we’re expanding our Netflix subscription. He seems excited to make the change. The motivation? I got tired of writing that $162 check every month for 20 minutes of daily entertainment. I told him we could spend the savings anyway he wanted. (I suspect we’ll end up with motorcycle accessories.)

The bigger benefit though is that we both plan to do more reading. I was so excited by this possibility that I ordered a stack of books from Powels. Here’s what’s in my to be read pile:

A Nail Through the Heart, by Timothy Halinan
Kidnapped, by Jan Burke
Money Shot, by Christa Faust
Invisible Prey, by John Sanford
Safe and Sound, by J.D. Rhoades
The Black Path, by Asa Larsson
Lost Dog, by Bill Cameron
Go Go Girls of the Apocalypse, by Victor Gischler (Steve plans to start with this one)

Any bets on how long Steve lasts without cable?

Let It Chill

Yesterday I finished the edit/second draft of my WIP (meeting my Sept. 1 deadline!) and today I feel a little lost. Writing that story has been my main focus for the last six months. It was the activity around which I structured my life. It’s not that I lack things to do; my list is longer than ever. In simple terms . . . I miss the creative process. I miss looking forward to where the story was going each day. I miss my characters.

I’m already thinking of things I need to add or fix. But I’m only making notes. I’m resisting the urge to go into the file. I have learned over the years that it’s important to let a novel sit and jell for a couple of weeks after the first major draft is completed. This is very difficult for me. I like to keep moving forward, and I’m anxious to find a publisher. But it’s critical to take a break and get some perspective on the story. When I come back to it, I’ll see flaws and gaps that I can’t see now. So for now, the manuscript is chillin’.

So today, I’m working through my list of things to do, brainstorming for my next novel, and cleaning. This is the “later” as referred to in my blog title.

Writers: Do you let your story chill? And for how long?