Strange Email From Amazon

Sorry, but I need to vent a little. An recent email from Amazon had this to say:

During a quality assurance review of your title, we have found the following issue(s): Typos have been found in your book. For example:

  • “blond hair off” should be “blonde hair off”
  • “teen-agers thought” should be “teenagers thought”

Please look for the same kind of errors throughout and make the necessary corrections to the title before republishing it.

Seriously? Of all the millions of books out there—many of which have never been edited—they find fault with blond instead of blonde? And teen-agers instead of teenagers?

First, editing styles and word-use changes over time. Second, who gives a crap? These are not errors, not compared to some of the stuff I’ve found in my other books. And when I think about some of the manuscripts I evaluated for iUniverse that are now selling on Amazon through KDP, I shudder at the bad grammar, incoherent sentence structure, and lack of punctuation.

So I have to wonder: Why The Sex Club? A book written by a seasoned journalist and edited by a professional? Did some readers complain because they didn’t like the title and content? And did that complaint trigger a “quality assurance review”? Is Amazon just going through the motions to make the complainers happy? For those of you not familiar with my work, the book is a PG mystery.

The upside is that Amazon didn’t necessarily require me to do anything. The email says “before republishing it.” Since I don’t plan to republish it, I think I’m okay to let it go.

But it’s kind of annoying, and it makes me wonder what the heck is going on. I think Amazon is right to conduct quality reviews, and I think it should refuse to publish some of the crap that it does. But its email to me makes no sense at all.

Anyone else had this experience?

Easy Effective Edits

I’ve been editing the first draft of my new novel, and I became aware of some changes I consistently make—for the better. I’ll share them here, in case you find them useful.

1. I get rid of the word “it” and replace it with the specific thing that I’m referring to, even if I just named that thing in the previous sentence. “Jackson reached for his Glock. The weapon felt heavy in his hand” is better than “Jackson reached for his Glock. It felt heavy in his hand.” In verbal communication, repetitive use of “it” may be acceptable, but in narrative writing such lack of clarity is ineffective and often confusing.

2. The same is true of overuse of pronouns. So I’ve also consistently replaced “she,” “he,” and “they” with the specific name of the character(s). Sometimes it feels too formal to use the character’s name three times in a paragraph, but if the character, say, a guy named Jack, is talking about the suspect, a guy named Vinnie, then referring to either of these guys as “he” can be confusing to the reader. This is a point that Stephen King makes in his great book On Writing.

3. The third most consistent edit I make is to tweak individual scenes so that they read like mini-stories, with mounting tension, a climax, and a conclusion. The exception to that structure are scenes at the end of chapters, which I often leave with a revelation, a hint of a revelation, or a great deal of uncertainty (aka, cliffhangers).