by L.J. Sellers, author of provocative mysteries & thrillers
Books covers! Sometimes you get lucky and find the perfect image after a quick search. Most of the time, the author and cover designers struggle to even articulate what type of single image will best convey a complex story.
I loved the first cover proof Thomas & Mercer sent for Deadly Bonds. It’s simple, powerful, and emotional. The child’s hand in the adult hand also tells readers something about the bonds in the title. I wanted to just say Yes, this is perfect.
But then I worried that the image would give some people the wrong idea. For some readers, any image involving a child on the cover of a crime fiction story implies pedophilia. I wanted to be wrong about that assumption, but I mentioned my concern to my publisher. They passed the cover around to a few employees to get their reactions and decided that they shared my concern.
So we’re back to the drawing board. Yesterday, they sent this cover. I like it, but I think it’s too sweet. And again, will people get the wrong idea? How do you covey that a small child plays a role in the story without having people assume that the child is victimized?
I have no regrets about the story. It may be one of my strongest Jackson books yet. But the cover is challenging, and I’m tempted to set up a photo shoot to see if my graphic artist can produce an image that implies a nonsexual bond between a caregiver and a child. Is that even possible?
So what do you think of these covers? Where does your mind go?