When my readers commented about how much they enjoyed my blogs, I decided to combine the best of my nonfiction—including all the posts I wrote about my journey to become a full-time novelist—into a book. I thought my readers would like to know more about me, and authors would find the writing, editing, and promotion advice helpful and inspiring. Read more →
Every time you read a novel, you get a peek into the writer’s soul. Some authors are good at separating themselves from the story, especially if they write about a character unlike themselves (Jack Reacher, for example, who is not like Lee Child). Yet I believe that circumstances in each writer’s life affect what they write in at least small ways.
For example, if I have a headache when I’m writing, one of my characters Read more →
The fourth book in my Detective Jackson series was the most challenging to write so far. I used parallel structures to tell overlapping stories. In the main story, Jackson investigates the deaths of a slain family. The parallel plot starts six weeks before the murders and tells the family’s story, with each victim narrating a POV section, leading up to the murders. Thus the name, Passions of the Dead.
The family’s story takes readers right through the final murder scene— Read more →
The book Fascinate: Your 7 Triggers to Persuasion and Captivation has caught my attention. It may have been written as an analysis of marketing techniques that build brands, but as a crime fiction author, I’m taking note. I want my novels to fascinate readers, so I’m keeping this list on hand as I craft my next story. Here are the seven triggers that draw people in:
- Lust: the anticipation of pleasure, which we crave Read more →
I’m re-working the outline and first few chapter for my fourth Detective Jackson novel before I send them to an editor. Things were bothering me, so I went back to the basics and decided to share my 8-point checklist.
Plot. Is your plot logical? Do you have important scenes that would make a reader say “No one would ever do that”? Is your plot both linear and complex? Read more →
Yesterday I finished the edit/second draft of my WIP (meeting my Sept. 1 deadline!) and today I feel a little lost. Writing that story has been my main focus for the last six months. It was the activity around which I structured my life. It’s not that I lack things to do; my list is longer than ever. In simple terms . . . I miss the creative process. I miss looking forward to where the story was going each day. I miss my characters.
I’m already thinking of things I need to add or fix. But I’m only making notes. I’m resisting the urge to go into the file. I have learned over the years that it’s important to let a novel sit and jell for a couple of weeks after the first major draft is completed. This is very difficult for me. I like to keep moving forward, and I’m anxious to find a publisher. But it’s critical to take a break and get some perspective on the story. When I come back to it, I’ll see flaws and gaps that I can’t see now. So for now, the manuscript is chillin’.
So today, I’m working through my list of things to do, brainstorming for my next novel, and cleaning. This is the “later” as referred to in my blog title.
Writers: Do you let your story chill? And for how long?
I’ve been editing the first draft of my new novel, and I became aware of some changes I consistently make—for the better. I’ll share them here, in case you find them useful.
1. I get rid of the word “it” and replace it with the specific thing that I’m referring to, even if I just named that thing in the previous sentence. “Jackson reached for his Glock. The weapon felt heavy in his hand” is better than “Jackson reached for his Glock. It felt heavy in his hand.” In verbal communication, repetitive use of “it” may be acceptable, but in narrative writing such lack of clarity is ineffective and often confusing.
2. The same is true of overuse of pronouns. So I’ve also consistently replaced “she,” “he,” and “they” with the specific name of the character(s). Sometimes it feels too formal to use the character’s name three times in a paragraph, but if the character, say, a guy named Jack, is talking about the suspect, a guy named Vinnie, then referring to either of these guys as “he” can be confusing to the reader. This is a point that Stephen King makes in his great book On Writing.
3. The third most consistent edit I make is to tweak individual scenes so that they read like mini-stories, with mounting tension, a climax, and a conclusion. The exception to that structure are scenes at the end of chapters, which I often leave with a revelation, a hint of a revelation, or a great deal of uncertainty (aka, cliffhangers).
I’m currently working through the second draft of Secrets to Die For, and I’m continuously reminded of, and grateful for, all the things I do during the first draft that help me create a story without any major glitches: In case it might help you, here’s my process:
1. Once I have a basic story idea, I create an outline. Some people (Stephen King) will tell you not to. (But he’s Stephen King). I fill in as much detail as I can, especially for the first ten chapters and/or plot developments (As info: I use Word, that’s it. No fancy creative writing software.)
2. Next I create a list of POV characters and generate a brief personality sketch and physical description for all. (My rule is never more than 5 or 6 POV characters telling the story, and some of those only have small speaking roles.) Eventually, for POV characters that reoccur in other stories, I add all this information to my long-term character database.
3. Begin writing. I don’t worry about perfect opening lines at this point. It’s important to get the story moving.
4. Fill in the rest of outline as I write first 50 pages or so. Once I’m writing, ideas for the second half keep coming to me, so I add to the outline.
5. Keep an idea journal. As I write, I constantly get ideas (Ryan needs to see Lexa earlier in the story, where?), so I enter them immediately into a Word file. Some of these never get used, but some prove to be crucial.
6. Create a timeline. A lot happens in my stories, which usually take place in about a week or 10 days, and some events happen around the same. I keep the timeline filled in as I write each scene. This way I can always look at my timeline and know exactly when the interrogation took place (Monday, 8 a.m: Jackson interrogates Gorman in the jail). It’s much faster and easier than scrolling through a 350-page word document. And the timeline keeps one POV character from referring to events that haven’t happened yet to another character.
7. Create comprehensive name/detail list. As I write, I keep a list for every named person in the story and include any details they have (physical description, phone number, address, etc.) That way, if I’m trying to remember what I named the morgue assistant, it’s right there in my Word file (morgue assistant: Zeke Plamers).
8. Stop after 50 pages. Then I go back and polish the first chunk of the story in case anyone wants to see the first 50 pages or 3 chapters.
9. Use the highlight feature to tag things I want to come back to, such as a street names for a scene in a particular neighborhood. I don’t let these details interfere with the flow of writing.
10. Keep a list of things to fix. As problems or questions come up (How does Jackson know about Conner’s vehicle?), I enter them into my Fix file, which I keep open at all times when writing. I also glance through it before I begin writing each day.
My first draft is usually lean, mostly dialog and action, but of course it includes some character development and all physical descriptions. In the second draft I fill details for scenery, add some scenes, and slow the story down in places. Never too much description, of course. I’m a big fan of Elmore Leonard, who says he leaves out all the stuff that people skip over and don’t read.
My process is in no way perfect, so feel free to share your writing process tips.
