New Cover, New Opportunities

The Gauntlet Assassin
After changing the name of my futuristic thriller to The Gauntlet Assassin and seeing the uptick in sales, I decided a new title needed a new cover. It took me a long time to find an image I liked. I wanted to represent Lara and the competition, but there’s nothing appropriate out there. I considered paying an artist to create an image, but I realized that the title focused on the antagonist and so should the cover. So here’s what I came up with.

As soon as the new ebook is back from the formatter, I’ll do a giveaway on Amazon and see if I can push sales to a new level. This novel has garnered some of my best reviews.

In other news, I’m struggling to find an affordable Spanish translator for my Jackson series. I thought I had one, but when I had the work evaluated, I decided not to continue with that translator. I haven’t given up, but the search is time-consuming, and I’m way behind on my newest Jackson story. But I’m still hoping to have it published before July.

Another update is that I’ve submitted four of my scripts to Amazon Studios for consideration. Three are comedies, and it would be so much fun to see Addictions or Lost in Hollywood come to life on the screen. It was fun just reading back through the stories.

I also submitted a script for The Baby Thief, which is currently a bestseller on Kindle, ranking at #3 on the medical thriller list. That story was the first publishable novel I wrote, and I worked on it for years. I also landed a major agent for it, then failed to sell it. So it’s gratifying to final have thousands of readers enjoying the story.

Since you folks write to me everyday, asking when my next Jackson story will be available, I’d better get back to work.

PS: Do you like the new cover? Do you know an inexpensive translator?

All Amazon!

I finally did it. I pulled all my books from B&N and enrolled the rest of the Detective Jackson novels in Amazon’s Select program. My apologies to Nook owners! But the royalties from Kindle Owners Lending Library (KOLL) are too good to pass up.

In December, Amazon paid $1.70 per “borrow.” I made more money in one month from KOLL, with only half my books enrolled, than I’ve made from B&N in the last year. Sorry again to Nook owners, but I just can’t sell books there. Which has always been puzzle to me…because I sell so well on Amazon.

So it’s done. I’m exclusive. The move is not necessarily permanent, but I have a feeling my Amazon KOLL royalties will continue grow along with sales. And as I mentioned in a previous blog: Amazon already owns me. I might as well profit as much as I can from it.

The hardest part will be not giving away ebooks from my blog…or through LibraryThing or Goodreads. The exclusivity clause prevents it, and I’ll miss that interaction with readers. I love giving books away! But I can still give away my print books, and more important, I can give away ebooks through Amazon. And I have to remind everyone that Kindle apps are available on almost every device, and you can read Kindle books online, directly from Amazon now in the “cloud.”

So my ebooks are still available to nearly anyone with a computer, mobile phone, or tablet. And I’m sleeping better at night, knowing that as long as Amazon is doing well, so am I.

The Ups and Downs of 2011

I started this year in a very upbeat mode. My Jackson books were gaining steam on Amazon’s Kindle, and I was about to release my fifth in the series. I’d given up freelance work to write and promote full-time. It was a risk, but it was working out. Sales stayed strong through the new release and into the late spring, and I started to think I might even get ahead financially.

Then, inevitably, the Amazon algorithm dropped me to give other books a chance and my sales began to slide. By late fall, I was worried about whether I could continue to support my household. So I worked like a mad woman to finish another novel before the Christmas buying rush.

At my darkest moment —when I started looking for an office job—Amazon offered its Select Program to self-published authors, and I jumped in early with a few books. The giveaways gave me great exposure, and all my book sales responded. Now I’m heading into the new year with strong sales, and feeling optimistic that this time the curve will be different. A quick rise and fall (for some books), followed by a long, slow build for all my novels. Or at least, that’s what I’m hoping for. To gradually expand my readership and the volume of books I offer.

In personal news, our first granddaughter was born, and she’s delightful. My husband started a trike-building business, our oldest son left the Army (and Iraq) for the last time, and our younger sons both experienced huge personal growth this year.

I’m very optimistic about 2012. I have a few resolutions and goals, but I’m also approaching all of it with more flexibility than I’ve allowed myself in the past.

I have about 48 hours left in this year, and I plan to spend it reading, then dancing to Satin Love Orchestra tomorrow night. I also plan to spend the first day of the year reading as well. Then Monday, it’s back to work, writing my new Jackson story.

What are your highlights of 2011? Your plans for 2012?

Strange Email From Amazon

Sorry, but I need to vent a little. An recent email from Amazon had this to say:

During a quality assurance review of your title, we have found the following issue(s): Typos have been found in your book. For example:

  • “blond hair off” should be “blonde hair off”
  • “teen-agers thought” should be “teenagers thought”

Please look for the same kind of errors throughout and make the necessary corrections to the title before republishing it.

Seriously? Of all the millions of books out there—many of which have never been edited—they find fault with blond instead of blonde? And teen-agers instead of teenagers?

First, editing styles and word-use changes over time. Second, who gives a crap? These are not errors, not compared to some of the stuff I’ve found in my other books. And when I think about some of the manuscripts I evaluated for iUniverse that are now selling on Amazon through KDP, I shudder at the bad grammar, incoherent sentence structure, and lack of punctuation.

So I have to wonder: Why The Sex Club? A book written by a seasoned journalist and edited by a professional? Did some readers complain because they didn’t like the title and content? And did that complaint trigger a “quality assurance review”? Is Amazon just going through the motions to make the complainers happy? For those of you not familiar with my work, the book is a PG mystery.

The upside is that Amazon didn’t necessarily require me to do anything. The email says “before republishing it.” Since I don’t plan to republish it, I think I’m okay to let it go.

But it’s kind of annoying, and it makes me wonder what the heck is going on. I think Amazon is right to conduct quality reviews, and I think it should refuse to publish some of the crap that it does. But its email to me makes no sense at all.

Anyone else had this experience?

Moving Toward Amazon-Only

And the craziness continues. Yesterday The Sex Club, which is now selling well again, was suddenly being discounted on Amazon from $2.99 to $.99. Which means, I was suddenly making a third of the money. After cursing loud and long, I tracked down the culprit. Kobo was selling the title at $.99—even though I requested they take it down two weeks ago.

I requested the takedown because I enrolled The Sex Club in the Kindle Select program and it requires exclusivity. So the fact that it’s still selling there could also get me kicked out of the program. I’m doing everything possible to correct this, but retailers are notoriously slow about taking down books, especially if they’re selling.

I distribute to Kobo, Sony, and various other retailers through INgrooves, and this is not the first time I’ve had to deal with the discounting issue. For those not familiar, here’s the short version: Amazon will not be underpriced. If a competitor puts an ebook on sale, Amazon matches the price. This can be a serious problem for authors who make most of their money from Amazon and need to control what price their books sell for on Amazon.

When I starting losing money on Amazon, I see my mortgage payment for the next month disappearing. Which leads me to strongly consider withdrawing all my books from INgrooves. The small amount of money I make from other retailers is offset by the profit I lose from the discounting issue.

My only hesitation, as always, is readers. I want them to have full access to my books, regardless of their e-reader device. But I’m running a small publishing business (Spellbinder Press), and I have to make smart business decisions. I have to be able to track and predict profit.

Also, I have to remind readers that my ebooks are available for purchase from my website.

Other writers tell me I should upload to Smashwords as my distributor, but that doesn’t fix the discounting issue. And I’m tired of continuously having to scan the other retailers to ensure they’re not undercutting my ability to make a living from Kindle sales.

Pulling my books from INgrooves would leave me with ebooks available on Kindle and Nook only. But what I sell on B&N/Nook every month won’t even pay my cell phone bill.

After I see my first bonus payment from Amazon for enrolling in the Select program, I’ll have to decide whether keeping my Detective Jackson books on B&N is actually worth it. I predict I’ll be exclusive to Amazon by the end of the next year. Some people may see this as a sell out. But I have to make a living, and I’m worth more than minimum wage.

Readers: Can you sympathize with this decision?

Writers: How do you deal with the discounting issue?

What’s Wrong With The Arranger?

These last two weeks have been an eye-opener. I did Amazon-sponsored giveaways of The Suicide Effect and The Sex Club, and the response was terrific. Between the two, I gave away more than 55,000 ebooks, and they both have been selling really well since.

So I thought I’d repeat the effort with The Arranger, a book with nearly all 5-star reviews that has never gained any traction. After two days, I’ve only had about 2500 downloads. I can’t even give this book away!

Not everyone likes futuristic thrillers, but right now The Hunger Games is at the top of many bestseller lists, so there is an audience for this genre. And I think the cover is compelling. I’ve come to believe the problem is the name. The Arranger just doesn’t have enough intrigue or power.

So I plan to change it. I had once considered calling it The Gauntlet, and I’m leaning hard in that direction. But if any of you who have read The Arranger have a better title in mind, please let me know. I’ll gladly give you print or ebooks as a reward.

So what do you think? Change the title? And to what?

Update: The consensus seems to be for The Gauntlet Assassin, so I’m posting the new cover. I have one more reader who plans to weigh in soon, and if he gives me something brilliant, I’ll go with it. For now, this is the new cover.

The Exclusivity Dilemma

Amazon often dominates my thoughts these days. Like many other authors, because of Amazon’s KDP self-publishing program, I now have readers and I’m able to make a small living. So I’m deeply grateful to Amazon, even loyal. As an author, I’m also entirely dependent on the company. If it kicked me out of the KDP program, I’d have to go back to freelance editing, and I would write far fewer novels.

Yet, I don’t want to see Amazon become a monopoly or have it be the only place my books are available. I want readers to have choices. Still, to survive financially, I may have to climb on board the Amazon train and let go of the idea that I’m an independent author.

Two issues are on deck for me right now. First, is the lending library that everyone’s buzzing about and some are calling predatory. Amazon called me two weeks ago to pitch KDP Select to me personally. Surprised by the contact, I assume it’s because I have ten books on the market and sold quite a few on Kindle last year.

My only concern was the exclusivity issue, but in the end, I decided to enroll two of my standalone thrillers. Which means I had to pull those books from all other e-readers. I wasn’t making enough money on them from any other sources for it to be a financial decision. My hesitation was based only on my commitment to give readers full access to my books.

But the promotional opportunity Amazon offered—a five-day giveaway of the books—was hard to resist. The exposure could be invaluable. Right now, The Suicide Effect is being downloaded in record numbers. Because I have nine other books for new readers to buy, this could turn out well for me. I’ll know in the next month or so.

The other issue is the possibility of becoming an Amazon-published author. I have two thrillers in submission to Thomas & Mercer, with the hope that Amazon will buy the rights and republish them as T&M titles. If that happens—and I hope it does—those books would then be sold exclusively by Amazon. The benefit to me would be Amazon’s incredible marketing machine, which would expose my entire body of work to thousands of new readers.

So my commitment to full access for readers is eroding. After last year’s run-up in sales, followed by the inevitable decline when the Amazon algorithm dropped me (as it eventually does), I came to the conclusion that Amazon already owns me…if I want to be a full-time novelist. The struggle to resist is futile.

So I’m tempted to simply get it over with and put all my books in the lending program and give up on selling them anywhere else. I believe I’ll end up there someday anyway. It wouldn’t change my finances enough to worry about, but it would make me feel guilty about denying my books to readers who don’t do business with Amazon.

What do you think?

Sex Sells—Or Does It?

Sex sells. That’s what marketers always say. And it seems to be true for tight-fitting jeans and toothpaste. But it is true in crime fiction? In my experience—not necessarily.

Some of the best reviews I received for my novel, The Sex Club, started out with a disclaimer like this: “I didn’t think I would like this book, but . . .” The readers/reviewers went on to say that the title (and sometimes the cover) had originally turned them away, but that they’d read it because another reader raved about it. They ended up loving the story, but still, their initial aversion concerned me. So I asked members of Dorothly L (a mystery discussion forum) what they thought about the title. Many said they would never pick up the novel in a bookstore or library because of the title.

So then I wondered: How many bookstores and libraries had decided not to stock my novel because of the title? From the comments of a few, I believe there might be many. After realizing this painful reality, I started adding this footnote to all my communications about the novel: “Despite the title, the story isn’t X-rated.”

It is not a good sign when you have to explain or make excuses for your title.

On the other hand, many writers on the CrimeSpace and Facebook networking sites have posted great comments about The Sex Club’s cover and title. One writer posted, “Judging by the title, that’s a book I HAVE to read RIGHT NOW.” Many others have simply said, “Love the cover!”

During a discussion with writers about the word sex in a crime fiction title, the reaction was also mixed. One writer said, “If sex is in the title, isn’t that a lot of emphasis, leading the buyer to think the book might be in the wrong section of the bookstore?” A quick search of Amazon brought up only one other mystery title with the word sex —Sex and Murder (A Paul Turner Mystery). But at least that author was smart enough to get the word murder in the title too.

My conclusions: 1) If I had it to do all over again, I’d change the name, 2) Bookstores and libraries are critical to sales, and authors can’t afford to alienate them or their patrons, 3) Mystery readers prefer dead bodies to warm ones.

What’s your reaction? Do you shy away from books with sex in the title? Do you mind a little sex in your mysteries or do prefer that the characters stay on task?